I - Allegro Assai - Serkin* / Beethoven* - Three Favorite Sonatas (Vinyl, LP, Album)
Label: CBS - BRG 72148 • Format: Vinyl LP, Album, Stereo • Country: UK • Genre: Classical • Style: Classical, Romantic
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Serkin/Beethoven–Three Favorite Sonatas Moonlight Pathétique Appassionata 33 LP Vinyl Record Album. Sonata No. 23 In F Minor, Op. 57 ("Appassionata") (). Serkin Beethoven 3 Sonatas Moonlight, Pathetique,appassionata vinyl lp vg. $ + $ Shipping. BEETHOVEN: MOONLIGHT, PATHETIQUE & APPASSIONATA VINYL RECORD LP / RUDOLF SERKIN Seller Rating: % positive.
Beethoven, Ludwig van: Opus/Catalogue Number Op./Cat. No. WoO 47 I-Catalogue Number I-Cat. No. ILB Key see below: Movements/Sections Mov'ts/Sec's: 3 sonatas: Sonata in E-flat major Allegro cantabile (E ♭ major) Andante (B ♭ major) Rondo vivace (E ♭ major) Sonata in F minor Larghetto maestodo - Allegro assai (F minor) Andante (A ♭ major).
View credits, reviews, tracks and shop for the Vinyl release of Three Favorite Sonatas on Discogs. Label: Columbia Masterworks - MS • Format: Vinyl LP, Album, Reissue, Stereo • Country: US • Genre: Classical • Style: Classical.
The artwork of this LP is a mix of Italian and English languages. Tracklist: 1. Sonata No 14 In C Sharp Minor (Op, No.2) (Moonlight): 1st Movt.
Back in the '80s, there was Pro Arte, a small, Minnesota-based label specializing in classical records made using the then-new digital technology. Among its releases were three LPs featuring Peter Serkin performing late Beethoven sonatas on a strong-toned but sweet and subtle Graf fortepiano. Remastered and re-released on two CDs in , Pro Price: $
This item: Rudolf Serkin Plays Beethoven Concer Tos, Sonatas & Variations (Sony Clas Sical Masters) by Ludwig van Beethoven Audio CD $ Ships from and sold by MovieMars-CDs. Arthur Rubinstein plays Chopin by Frédéric Chopin Audio CD $/5(26).
Ludwig van Beethoven Composer Rudolf Serkin: Sonata for Piano No. Rudolf Serkin Ludwig van Beethoven Composer: Of the three pianists I've been listening to, he is the only one to have noticed that when the fugue in the last movement I do not warm to readings of this allegro which give the impression of veering continually from one.
At first hearing you might unfairly label Peter Serkin’s soft-spoken yet provocative discourse throughout most of Beethoven’s Op. 57 sonata to be the “Dispassionata”. For instance, he downplays the outer movements’ surface bravura by stressing the linear implications beneath Beethoven’s motoric arpeggiated sequences and virtuosic runs.